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Mailing Address

3100 Cleburne Avenue, Box 54 - Houston, Texas  77004

GammaOmega@KKPsi.org

BetaOmicron@TBSigma.org

(713) 313-7336

Gamma Omega, KKPsi - Beta Omicron, TBSigma

Welcome to the Joint Web Site of the Gamma Omega Chapter of Kappa Kappa Psi National Honorary Band Fraterity & the Beta Omicron Chapter of Tau Beta Sigma National Honorary Band Sorority.

Texas Southern University

Born out of the struggle for equality, Texas Southern University (TSU) was formally established by the 50th Texas Legislature on March 3, 1947. Founded as the Texas State University for Negroes and given its current moniker in 1951, the University's primary mission was to establish a creditable college for African American students.

After its inception, Texas Southern University was the first Historically Black College and University (HBCU) to house a law school, and was also the first state-supported institution in the city of Houston. Its pioneering spirit continues today.

Prior to its celebrated inauguration, Texas Southern University was owned by the Houston Independent School District (HISD) and known as the Houston College for Negroes in 1935. In a racially segregated society, the college offered African-Americans in Texas an opportunity for higher education. In a bold move for its time, the Texas Legislature bought the campus from HISD for $2 million and transplanted an established state-supported law school for blacks to the University.

As the reputation of Texas Southern University grew, so did awareness about its community influence and significance. Over the years, the University's educational facilities and programs expanded, and many of its graduates began to achieve local, regional, and national recognition for their influence in politics, education, business, technology, medicine, and the arts. The University grew from one permanent building and several temporary structures to the 45-building, 150-acre campus that exists today.

In 1973, the Legislature designated Texas Southern University as a "special purpose institution for urban programming," after concluding that its educational programs and services particularly suited the needs of urban residents. Upholding this distinction, TSU's academic programs continue to provide training to professionals in the most critical areas of urban concern: environmental, health, education, public works, law enforcement, justice, city planning, and business.

Though its beginnings were humble, Texas Southern University is heralded as a pioneer, and distinguishes itself as one of the leading producers of African American scholars that obtain collegiate, professional, and graduate degrees in the state, as well as the nation. The University's enrollment has grown from 2,303 students to more than 9,700 undergraduate and graduate students from across the world. Although the University was initially established to educate African Americans, it has become one of the most ethnically diverse institutions in Texas.

The "Ocean of Soul" Marching Band

The band at Texas Southern University was organized at Houston College for Negroes during the school year of 1945 - 1946.  At this time, the veterans were returning from World War II.  Many were also enrolling into this new school of higher education.  Mr. Allen E. Norton, acting Dean at that time, requested a list of at least twenty-five (25) names so that a college band could be added to the extracurricular activities.  Upon this request, thirty - five (35) interested musicians organized the first band of this institution.  Conrad Johnson was contacted to serve as the Band Director.  Welcome one and all to the greatest half time show of the ages.  Shortly, not only will you see, but you will hear some talented musicians who will entertain you.  So, don’t go away, or you’ll miss the show of all shows presenting, THE TIGER BAND OF T.S.U. LAND!  First, you’d see a group of girls representing majorettes.  They carried, and dropped quite often, batons of many shining colors - - red, blue, silver, and gold.  They wore white knee high boots, short skirts with blouses.  However, the head majorette wore maroon one piece outfits of glimmering fabric.  Next to enter the field were two rows of people playing woodwind instruments.  Alongside, forming a third row, were drummers beating drums of all sorts, sizes, shapes, and colors.  The bass drum, with its muffled sound, was flanked on both sides by two pairs of cracked cymbals, polished with a little rust for glamour.  Behind the percussion section, the blaring tubas marched, bringing with them the trumpets, the baritone horns, and a french horn.  Most of the band would wear the remainder of the maroon and gray uniforms which had seen their better and brighter days.  Most of the uniforms had patches, pins and paper clips.  The patches were sewn to cover the unwelcomed holes, the pins and paper clips were used to fasten together the pants and coats.  The band hats were box shaped with a white leather strap that fastened under the chin.  A secret about most of the hats, they didn’t have a top, only the brim and a leather strap existed.  The 1967 season included many other tricks and treats.  We were told to march from the Music Building to Jefferson Stadium.  As we started down Cleburne Street, dogs would bark, some tried to bite too, people would laugh and allow their children to throw garbage, tomatoes, and even raw eggs at us.  Some of us were hit by these items.  Believe me, we were all tired of being laughed at by the entire Southwestern Athletic Conference! (SWAC)  What could we do?  We tried, to no avail, talking to the band director about changing our shows, especially the music.  By the following season, 1968, we had been awarded new uniforms to encourage continual participation in the band.  They were a tremendous improvement over the uniforms of yesterday.  However, our hats resembled those worn by Milkmen with an added gray “feather” worn on top.  At the close of the Spring 1969 Concert Season, we heard rumors of a new band director for the Fall Season.  Based upon the facts of the rumors, the man was a black man.  Of course, experience had taught us not to build our hopes too high.  Previous years, the same rumor raged throughout our ears and each time David Peters would return with his “Everything Coming Up Roses”.  To our great surprise, this was no longer a rumor, but the divine truth.  July 1969, we were proudly introduced to our “Black Moses” in our time of trouble, Mr. Benjamin J. Butler, II and the birth of the “Ocean of Soul”.  From that day to eternity, “Mr. Soul” will always have a special place in my heart and memory for his musical inspirations.  Since the name “Ocean of Soul” was given to the Texas Southern University Band by a local radio show, talking about a mountain of soul for Houston, it has commanded the interest and attention of the public locally and nationally.  The flashy, pace setting, “Ocean of Soul” have appeared at numerous professional football games and recently, at the Battle of the Bands.  Also, in 1973, at this Battle of the Band performances, the “Ocean of Soul” revealed to the public, for the first time, its new band uniforms.  These uniforms were designed and represented the first class band, the “Ocean of Soul” band uniform is completely different from anyone else’s .

 

 
 


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